In the world of rock and roll, you’re great, you’re awful, or you’re Days of the New. This four-piece grunge-rock group originated in Louisville, KY and released their first album in 1997, struggling since then to become a popular act in the mainstream. A quick listen, however, reveals the root of their struggle: their sound is in no way unique, their instrumentals resemble those of early metal bands, and their vocalist, Travis Meeks, sounds too much like Lane Staley of Alice in Chains. The resemblance is perhaps too great to be considered a coincidence.

But despite the similarity in vocals, the difference in songwriting ability is clear. Though they’re all talented musicians and can add creative instrumentation, the members of Days of the New struggle to write songs with real melodic value or craft.

The sound is primarily a mix of acoustic guitar riffs with bursts of heavy metal. Highlights in instrumentation include the classical music featured in “ Best of Life,” “ Dirty Road,” and “Dancing With the Wind”; the sitar music in “ Giving In”; and the innovative drum beat of “ Where Are You?” The verses, however, leave much to be desired, as the tempo is faster than it should be, and the lack of originality grows overwhelming. In terms of appeal, the choruses also fall short.

These shortcomings notwithstanding, this band is not to be disregarded, and kids too young to remember Alice in Chains or Pantera may be turned on by this record. If only they could hone their songwriting skills and inject their music with some catchiness, Days of the New, given their sharp musicianship, could finally make it onto the radar screen.

Days of the New

Days of the New

(Outpost/Interscope)

reviewed by Hugh Bridgers