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The Goo Goo Dolls, if anything, are predictable. Their songs consistently gush with uninhibited feelings of adolescent melodrama, and lead singer Johnny Rzeznik never fails to deliver with a trace of suffering in his voice. The uniformity, however, is not necessarily a bad thing: the formula has proven its worth repeatedly throughout the bands history, starting with their first hit, Name, and on tracks such as Iris, Slide, and Black Balloon.
So whats the problem with Gutterflower, their follow-up to the six-times platinum Dizzy Up The Girl? Not a lot, really: its just that those familiar with the bands previous releases and that probably includes you may be getting tired of hearing, as Rzeznik once sang, the same tired song on the radio.
This, of course, is not to suggest that the Goo Goo Dolls plunge into some self-indulgent period of creative experimentation in which they take violin bows to their guitars and wear dresses onstage: its safe to state that such a drastic switch works only for the most talented musicians and is for others a one-way ticket to oblivion.
Its really more about the fact that the Goo Goo Dolls music is very hit or miss: it's either the occasional poignant melody that will move even the pickiest listener or the listenable but bloodless ditty. On Dizzy Up The Girl, the former category outweighed the latter; on Gutterflower, it seems to be the reverse. While songs like Thing About Me, What Do You Need? and Big Machine beg the listener to turn back for more, the majority of the songs pass by without much notice. For this reason, the lack of variety becomes even more apparent. As its no longer a question of creativity, perhaps theyll simply have better luck next time. |
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