Leonard Cohen is not a good singer. In fact, his monotone, gravelly voice could lull most people to sleep. So what saves his latest album, Ten New Songs, from being a disaster? Cohen’s thought-provoking lyrics and Sharon Robinson, the talented singer and musician who co-wrote, arranged, and produced the album.

While most artists’ lyrical abilities wane with age, Cohen, now 67, has lost none of his celebrated writing skill. On “In My Secret Life,” Cohen sings of a man who regrets his past relationships: “I bite my lip / I buy what I’m told: From the latest hit / To the wisdom of old. / But I’m always alone. / And my heart is like ice. / And it’s crowded and cold / In my secret life.” With lyrics like these, Cohen shows his talent for taking a common musical theme and making it sound brand new.

Sharon Robinson adds a jazzy flair to “Boogie Street,” one of the more adventurous tracks on the album in terms of instrumentation. Her vocal delivery on the chorus—“O Crown of Light/ O Darkened One / I never thought we’d meet. / You kiss my lips, and then it’s done: / I’m back on Boogie Street”—provides a welcome contrast to Cohen’s singing style.

The album ends with “The Land Of Plenty,” which Cohen and Robinson sing together. The song takes a cynical view of religion as an institution, but it also seems hopeful: “For the innermost decision / That we cannot but obey / For what’s left of our religion / I lift my voice and pray: / May the lights in The Land of Plenty / Shine on the truth some day.”

Overall, Ten New Songs is a welcome return from Cohen. Now, if only he could teach Mick Jagger a few lessons about staying artistically relevant . . .

Leonard Cohen

Ten New Songs

(Columbia)

reviewed by Gabrielle Grubka